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WHAT PEOPLE SAY

Allen's writing captures grim realities, often through poetic alliteration ("Texts and truths turned into times of torment"), hip-hop tempos, and occasional choral refrains (including "Run, boy, run"). These come from the riders — who otherwise, of course, bury their faces in their phones. Well-chosen music, often chaotic jazz, underscores confessions well, and Clark uses the Skinner Studio's limited lighting to create dramatic effects.

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